Cufflinks of yellow gold with skulls and bones painted with white and black vitreous enamel. One of a kind.

Neo-Renaissance necklaces composed of different symbolic elements connected by universal joints. Each necklace joins at a tassel-shaped pendant that is composed of turned umbrellas and articulated bones with white and brown briolette-cut diamonds.

Earrings with white gold nature casts of a now-extinct type of fossilised brachiopoda (Russiella truncata) that lived in Siberia ca. 530 million years ago. The predator-like teeth formed by upper and lower valve are spring-loaded to recreate their natural functionality. A chain mail of interlinked loops set with diamond briolettes leads to the upper section developed in the style of a contemporary scallop shell.

Ring inspired by biomechanical aesthetics, evoking the imagery of bones and intricate 3D-printed mathematical models. The reverse of the ring features ornaments inspired by the traditional Maori wood carvings. Completely hand-carved in wax, the ring was cast in white gold using the lost wax technique. The technically flawless casting resulted in a perfect casting crust that has been preserved as the surface of the ring. The yellow-brown diamond was specifically cut for this ring, drawing stylistic inspiration from the octagonal tablecuts of the Renaissance era.

Ring inspired by biomechanical aesthetics, evoking the imagery of bones and intricate 3D-printed mathematical models. The reverse of the ring features ornaments inspired by the traditional Maori wood carvings. Completely hand-carved in wax, the ring was cast in yellow gold using the lost wax technique. The technically flawless casting resulted in a perfect casting crust that has been preserved as the surface of the ring. The ring is set with a historical Asscher-cut diamond, which was cut around 1920.